Orchestral music was rarely a focus of Bach’s work. The violin plays a central role as a soloist in three of his Brandenburg Concertos as well as in his A minor Concerto for Flute, Violin, and Harpsichord, and in a pair each of solo concertos and double concertos. He completely understood the possibilities of all stringed instruments.”īach supplied violinists with a series of masterpieces, including eight sonatas for violin and harpsichord, and six works for unaccompanied violin. ![]() Bach’s son Carl Philipp Emanuel, responding to a biographical query in 1774, recalled of his father: “From his youth up to fairly old age he played the violin purely and with a penetrating tone and thus kept the orchestra in top form, much better than he could have from the harpsichord. It was as a violinist that Johann Sebastian obtained his first professional appointment, at Weimar in 1703, and when he died forty-seven years later he left in his estate a violin built by Stainer-probably the luthier Jacob Stainer, whose instruments remain prized today. His father, Johann Ambrosius Bach, had been a professional violinist in Erfurt and in Eisenach, so the composer surely grew up surrounded by the sounds of the violin. THE BACKSTORY Johann Sebastian Bach was renowned in his day as a keyboard virtuoso, but he was also a skilled violinist. INSTRUMENTATION: Solo violin, harpsichord, and strings SFS Concertmaster Alexander Barantschik was soloist and leader Paul Kochanski was soloistwith Basil Cameron conducting. In Boston, by soloist Julius Eichberg, with the Mendelssohn Quintette Club We know nothing about its early performance history ![]() Eisenach, Thuringia (Germany)ĬOMPOSED: About 1730, in Leipzig.
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